- Adireshin: 1000 Brussels, Belgium
- Hawan: 61 santimita
- Abubuwan da ke ciki: Ƙafa
- Ya halicci: 1618
- Mawallafin: Jerome Dykesnais
"Manneken Pis" alama ce ta Brussels kuma, watakila, shahararrun shahara ba kawai na babban birnin kasar Belgium ba, amma na dukan jihar.
Ƙari game da marmaro
Za'a iya ganin alamun "ɗan ƙaramin yaro" a cikin birni ba tare da ƙarawa a ko'ina ba: a kan katunan akwatuna da tallace-tallacen talla, a cikin shaguna da shaguna. Ya kasance dan takarar kusan dukkanin abubuwan da ke faruwa a birnin. Sau da yawa a lokacin bikin, yaron ya "jin daɗin" ba tare da ruwa ba, amma tare da giya ko giya. Ya kuma halarci ayyukan siyasa: alal misali, a cikin shirin kungiyar "Médecins Sans Frontières", wanda yake so ya jawo hankula ga matsalolin rashin ƙarfi a cikin kasashen Afirka (wato madara shine abinci mai mahimmanci), ɗan yaron, yana saye da kaya na wani manomi na Afirka, "urinated "Ba ta ruwa, amma ta madara.
Fountain "Manneken Pis" aka shigar a 1619, maye gurbin wani siffa - wani dutse, wanda aka yi imani da kasancewa a cikin karni na XV. "Girman" Julien (kamar yadda Belgians ke kira yaro) kawai 61 cm, kuma nauyin nauyin kilo 17 ne. Marubucin shine masanin sculptor Jerome Duchenois. Asalin "Manneken Pis" ya ƙawata Brussels daga 1619 zuwa 1745; a shekara ta 1745, a lokacin yakin basasar Austrian, sojojin Birtaniya suka dauke shi, sa'an nan kuma ya koma wurinsa, a shekarar 1817 - mutumin Faransa ya sace shi kuma ya dawo. Bayan haka, an rasa mutum-mutumi da yawa kuma ya kasance, lokacin da aka sace shi a cikin karni na karshe, a shekarar 1965, kuma an samu shi a cikin birnin tashar sawn a cikin biyu. A shekara ta 2015, ƙungiyar masana kimiyya daga Jami'ar Free University of Brussels ta tabbatar da amincin abin tunawa ga dan jaririn. Sakamakon tabbatarwa bai rigaya an san shi ga jama'a ba. Takardun hoton "Manneken Pis" suna cikin Faransanci, a Spain, a Japan har ma a Jamhuriyar Demokiradiyar Congo.
Tufafi ga ɗan jaririn
A shekara ta 1698, Elector of Bavaria, Maximilian Emmanuel II, ya ba da kyauta ga Man of Pisces: ya gabatar da kayan aiki. Tun daga wannan lokacin, al'ada ya samo asali don sanya nauyin mutum iri-iri iri iri: tufafin kasa na mutane daban-daban, kayayyaki na hakikanin tarihin tarihi da koda kayan ado. Yaron yana da damar ziyarci Mexican da Ukrainian, Jafananci da Georgian, dan wasan da kuma dafa, dan wasan kwallon kafa, Count Dracula da Obelix da sauransu. Wani lokaci "Manneken Pis" ya nuna ainihin mutane na tarihi - misali, Wolfgang Amadeus Mozart, Nelson Mandela, Christopher Columbus.
A cikakke, akwai kimanin dubban tufafi na Manyan Rubutun, kuma wasu daga cikin su ana iya gani a cikin Museum of City of Brussels. "Ya canza tufafi" sau 36 a shekara, kuma duk kayan da aka samo shi ya sanya shi ta hanyar "sirri na sirri." Kwanan "lokaci", kamar yadda abin da yarinya ya canza, za'a iya gani a kan farantin kusa da marmaro. "Dandalin Cikin Gida" an gudanar da shi sosai, sau da yawa a gaban jami'ai kuma tare da ƙungiyar makaɗaici.
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"Budurwa" da "mongrel"
Bugu da ƙari, ga Manneken Pis, akwai maɓuɓɓugar da take a Brussels da ke nuna wani yarinya mai banƙyama - Jeanneke Pis. Ba a taba zama "katin kasuwancin" na babban birnin kasar ba, kuma ya fahimci cewa: "budurwa" na Manneken Pis har yanzu matashi ne, maganar mawallafi Denis-Adrien Deburbi ne kawai aka kafa ne kawai a shekarar 1987. Sanya Jeanneke Pis zuwa arewa maso gabas na Grand Place , kimanin mita uku, a cikin Impasse de la Fidelité - Mutuwa Matattu na Gaskiya. Wani dan kadan fiye da rabin kilomita ya fi dacewa da wani mutum mai suna Zinneke Pis, wanda kawai yake jin daɗi "don fun": a wannan yanayin ba wani abu ne kawai ba, banda marmaro. Marubucin wannan aikin, wanda ya kasance a kusurwar Rue du Vieux Marché aux grains da Rue des Chartreux, shi ne Ful-sculptor Tom Franzen.
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Yaya za a iya zuwa ga marmaro?
Manneken Pis yana tsakiyar tsakiyar Brussels, a kusurwar Rue de l'Étuve (Stoofstraat, Bannaya) da kuma Rue du Chêne (Eikstraat, mai suna Oak). Daga shahararrun mashahuran wurin da kake son hagu, kuma bayan wucewa mita 300, za ku ga wani marmaro.
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